Review: Capture One Film Styles (Capture One Pro, New Version)

Review: Capture One Film Styles (Capture One Pro, New Version)

Looking for:

- Capture One Styles Free| Download Capture One Pro Styles Free 













































     


Discover Capture One features - Calculate the price of your order



 

Styles and Presets. Style Brushes. High Dynamic Range. Curves and levels. Advanced Color Editor. Skin Tone Editing. Black and White tool. Layers and Masks Focus your edits on specific parts of your image — without affecting the rest. Apply up to 16 layers and create precise masks to separate areas for editing.

Layers and Masks. Linear Gradient. Luminosity Masking. Feather Mask and Refine Mask. Grey Scale Mask. Radial Masks. Magic brush. Merge and Stitch Our new multi-imaging tools put even more creative freedom in your hands.

There are a number of color simulations and black and white simulations. Many other options out there do things like this. Presets can be a great way to breeze through work and get back to shooting and booking clients, but they can also be a great way to start out in your editing process with your own adjustments. When you open up Capture One, you can apply the styles by going to the according tab and applying them.

But this is based on, again, what may be an unpopular but very personal opinion. Capture One Film Styles are completely okay as actual presets. This latest version of Capture One Pro 12 now has luminosity masks. From there you can adjust the affected color range, hue, saturation and lightness. The 3-Way option even lets you adjust the color tint separately in the shadow, midtone and highlight areas. Do you want to affect the blues in your photo, but not the blue-greens?

Need to smooth out the skin tones? No problem. Simply choose the Skin Tone tab, select a color range, and adjust the uniformity sliders. The Express version just has the Basic tab. However, if you want to have complete control over your color , Capture One certainly wins hands down over Lightroom and everyone else in the same niche. If you shoot in a studio, odds are you know the value of shooting tethered.

Most studio photographers who shoot tethered already use Capture One. Tethering features in Capture One Pro makes it the obvious choice for studio photographers. With it you can control just about everything via the tether, including details as particular as the flash curtain sync mode.

If you were ever thinking of shooting tethered, Capture One is the editing software to try first. It also just looks better — almost on par with Photoshop which is where I usually do my more difficult spot healing. If you send your work off to an editor or work with a team, Capture One Pro has an annotations feature that makes collaboration much easier. Definitely helpful for collaborative editing or sending an image with notes off to a client.

Capture One allows you to organize according to your photography sessions instead of of using the catalog. Many say that Capture One actually outperforms Lightroom in terms of both speed and stability. There are several Styles available by famous photographers, helping you emulate their color grading. One of the huge benefits of using Fujifilm X-series camera are the built-in film simulations like Acros, Classic Chrome, Velvia etc. Capture One 12 now adds the ability to change the starting point of your editing to one of the film simulations, as Curves within the Base Characteristics Tool.

There are a few places where Capture One falls short. For those of us who use them regularly, this could be an issue. Into Nik or Topaz filters? No go. Use any of the fantastic portrait packages out there? Too bad. Capture One only has a few third-party plugins and no ability to do HDR or panoramas. No fun. One thing new in version 12, though, though, is export plug-in support. The history panel is a tool I use often.

   


Comments

Popular posts from this blog

Office | Download Office | Microsoft Office

File formats in Adobe Photoshop.How to solve problem parsing the JPEG data in Photoshop